As a sidebar to the current tuning discussion, I wonder if
some readers would post to me privately (since it may
not be of general interest here) any bibliography they
might wish to share about unequal temperament in the
19h century.  The remark follows a very off-ahnd
comment by an old teacher of mine that Chopin used
such a temperament and it accounts for some of
the notation in his works.  Any help is greatly
appreciated
 
Rob Haskins
WE
Eastman School of Music