Brad:
You are tapping into an authentic sense of color, and that is
great. This is really how instruments were tuned, and is what I encourage
also, but I'm sure you would agree that for us this ability comes with a
good grounding of study in the formulas. Yet I would also defend that there
is nothing wrong with the theoretical models. Owen tells us that this
color sense is lost, and to some degree I'm sure it is, but I believe that
we can rediscover it and compliment our 20th century scientific tempering
techniques with this tonal sensitivity.
Dennis Johnson
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