At 05:47 PM 7/23/2003 -0400, T wrote:
>I observed [and, since I'm asking here,
>I don't judge] that Luisa in her Vermillion recital did not play light bar
>ends when passages were concerned. So passages of eighths or sixteenths
>received a pronounced equal-touch treatment wherever in the bar they stood.
>This gave this music a stability which I didn't know, but which was
>fascinating after getting used, even if it is opposed to what I personally
This is pointing in the direction of a question that I have been wanting to
ask, and haven't been to put into words, quite: Along with "stability" I
want to say "intensity," but I can't explain what I mean by this.