HPSCHD-L Archives

Harpsichords and Related Topics

HPSCHD-L@LIST.UIOWA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Mark Slater <[log in to unmask]>
Reply To:
Harpsichords and Related Topics <[log in to unmask]>
Date:
Mon, 16 Apr 2001 12:11:22 EDT
Content-Type:
text/plain
Parts/Attachments:
text/plain (23 lines)
In a message dated 4/15/01 6:04:55 PM Pacific Daylight Time, [log in to unmask]
writes:


> Scarlatti does not need a big French double but rather a big Italian double.
> There were some.  Wm Dowd went on a tour of South America looking for
> Italian &
> Spanish instruments years ago and turned up large Spanish doubles, false
> inner-outer, which would have suited Scarlatti compass-wise.  I built a
> false
> inner-outer dble 63 note for myself and my husband - we both like to play
> Scarlatti.  Strung in brass; sounds great.  An excuse to do a fancy
> decorated
> case & turned legs, nice after a diet of veneering and Biedermeyer case
> styles.
>         Margaret
>
Thank you Margaret. Here is where my ignorance is showing. I have never seen
what I would call a "big" Italian or Spanish instrument before. Sounds
fascinating.
Chastened, I remain,
Mark

ATOM RSS1 RSS2