HPSCHD-L Archives

Harpsichords and Related Topics

HPSCHD-L@LIST.UIOWA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Stephen Birkett <[log in to unmask]>
Reply To:
Harpsichords and Related Topics <[log in to unmask]>
Date:
Wed, 11 Apr 2001 11:35:37 EDT
Content-Type:
text/plain
Parts/Attachments:
text/plain (29 lines)
> Right again Bill.  You can never hide a new string until it has had
> time to mature.
>
Now the subject is raised I'd be interested to hear the collective
experience of instrument owners and builders:

1. What is the time that is felt to be required for newly strung wire to
tonally match the existing wire on an instrument, for both iron and brass?
(they are different) hours? days? months?

2. Describe these tonal changes which occur for a newly strung string?

I don't like the term "mature" in this context, which implies "fully
developed" or "complete", i.e. a value judgement that it is somehow
incomplete when newly strung, which is not the case. The two tonal
characteristics are just different. In reality it is simply a
metallurgical phenomenon which causes the tonal change after stringing -
this process might better be described as "stabilizing".

Stephen

Stephen Birkett Fortepianos
Authentic Reproductions of 18th and 19th Century Pianos
464 Winchester Drive
Waterloo, Ontario
Canada N2T 1K5
tel: 519-885-2228
mailto: [log in to unmask]

ATOM RSS1 RSS2