To get back to the subject line (recordings), the problem is that the 
softness of the clavichord's loudest possibilities causes the 
instrument to be recorded louder on a CD than in reality.  In fact, 
its loudest sounds are recorded at the same level on the CD as those 
of the largest organs.  There is no technical objection to this; 
indeed, it actually improves the quality of the recording.  But, in 
replay the volume control needs to be set much lower than normal to compensate.

This may be obvious to us, but as most listeners today are more 
likely to encounter a clavichord performance for the first time on a 
recording, rather than in a live recital, it is essential that a 
point of reference be given to educate the listener about this 
problem and to enable him or her to set an appropriate volume at 
which the music will have some semblance of reality.

I would suggest that at the beginning of the recording there could be 
a short speech at a conversational level by the performer sitting at 
the instrument, saying something about the music and the instrument, 
and explaining in passing to the listener that if the voice is set to 
a comfortable level, the instrument will sound as it should.  The 
listener will soon adapt and, if interested in experiencing the music 
realistically, will appreciate the help.

David 

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