In that case, does that mean for French originated dance movements of a 
German Ouverture or Suite, despite written in equal rhythm, we should play 
inégales?  For example, the Norman dance Loure.  While at the same time we 
make sure we play as written on German and other international dances such 
as Allemande (German) and Gigue (Irish)? Meanwhile as usual we play Gigue 
with inégales in a French composed Suite.



  On Tue, 10 Jul 2018, J. Claudio Di Veroli wrote:

>> Vincent wrote: ... dotted rhythm of the Ouvertures.  When the
> composer never explicitly compose the piece with dotted rthymic notations,
> are we supposed to play it dotted?
>
> Certainly, and current musicology fully agrees that this was the historical
> performance. There are many French sources explaining this unambiguously,
> and also some German sources explaining how this is done also by Germans
> playing French-style music.
>
> CDV
> http://play.braybaroque.ie/
>
>
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