Ken Sybesma writes -
"The review was in The Diapason, not TAO. But it was still kind of a bitchy
review
-- not that I necessarily would have disagreed with the thrust of the opinion,
just that certain performers (or, in this case, an instrument) seemed to get a
heavier dose."
Bitchy reviews are often cute and controversial, but not great reporting.
There were plenty of people in Denver who were positive. What happened to
their opinions?
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