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SCN User <[log in to unmask]>
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Date:
Thu, 20 Oct 1994 22:39:43 -0700
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Hello -
 
The organ at St.Stephen's Episcopal Church, 4805 N.E. 45th, Seattle,
Washington.  Dedicated September 30, 1994
 
Builder: Richard Bond and Associates, Portland, Oregon
36 stops, 44 ranks, 2307 pipes, two manual and pedal, 61/32  Mechanical
     key action; electric stop action with the now usual mega memory.
 
GRANDE ORGUE                RE'CIT                  PEDALE
16' Bourdon                 8'  Diapason            16' Contrebasse
8' Montre                   8'  Cor de Nuit         16' Soubasse
8' Flu^te Harmonique        8' Viole de Gambe       8' Montre
8' Bourdon                  8' Voix Ce'leste        8' Flu^te
8' Salicional               4' Prestant             4' Octave
4' Prestant                 4' Flu^te a' Fuseau     4' Flu^te
4' Flu^te ouverte           2-2/3' Nazard           II Fourniture (2-2/3')
2' Doublette                2' Quarte de Nazard     16' Bombarde
IV Fourniture (1-1/3')      1-3/5' Tierce           8' Trompette
V Cornet (mounted)          IV Cymbale (1')         4' Clairon
8' Trompette                16' Basson              Tirasse Grand Orgue
8' Cromorne                 8' Trompette            Tirasse Re'cit
4' Clairon                  8' Hautbois             Grand Orgue / Re'cit
 
Tremblant                   Anti-secousses          Rossignol (prepared)
 
The opening recital was played by Guy Bovet on Sunday, October 2, 1994
 
Praeludium in D Major       D. Buuxtehude
Noe"l in G major [#10]      Louis-Claude Daquin
Messe de Henri Dumont       Jean-Jacques Beauvarlet-Charpentier
     Re'cit de Hautbois en Flu^te
     Duo
     Offertoire en Symphonie Concertante
Scherzo                     Albert Alain
Toccata Planyavska          Guy Bovet
Schmu"cke dich, o liebe Seele    J.S. Bach
Fantasy and Fugue in g minor     J.S. Bach
 
Tim Tikker asked me for some comment on how Guy liked the organ. I
won't presume to express his opinions, which he does very well
himself. I did hear him say that he liked the action, and the playing
bore that out. The Cromorne got used a lot, and it kept up the
pace accurately and cleanly, which was nice to hear after tuning
the one in my own parish.
 
The room is not wonderful, a little too long and narrow, with a
carpeted aisle and new carpeting all around the new font at the
rear, and of course the place was packed for the opening concert.
When the room is empty, I've liked the way the principals spread
out rather than boring their way down the center aisle, and the
general feeling of fit of the ortan to the room. It's not very
loud, even the "French" reeds.
 
                                        David Calhoun
 
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                          ANTE MUSICA
  6220 Latona Avenue Northeast, Seattle, WAshington 98115-6553
                Internet address: [log in to unmask]
A Northwest Workshop affiliated with Zuckermann Harpsichords Inc.
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