I dont see that anyone has mentioned Blandine Verlet's recorded performance
of Froberger pieces in quarter-comma meantone,
aptly entitled,  'l'Intranquilité'. I dont believe she did any retuning,
but rather treated the out-of-tune-ness as another kind of dissonance
that Froberger's music deploys

On Saturday, December 3, 2016, Bruce Jacobs <[log in to unmask]> wrote:

> He sounds <so> wonderful in 1/4 comma mean-tone.
>
> Anyone here doing this in performance, and if so, do you pick from flats
> or sharps only, or actually retune in the midst?
>
> (The more I played Buxtehude, the better I played Bach. The more I play
> Froberger, the better I play both.  A cellist buddy of mine and did a mash
> up, alternating movements, of the Froberger Lament Partitia in C, and the
> Bach unaccompanied in c. The pairing worked wonderfully)
>
> Bruce Jacobs
> Saint Paul
>
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Note:  opinions  expressed on HPSCHD-L are those of the  individual con-
tributors and not necessarily  those of the list owners  nor of the Uni-
versity of Iowa.  For a brief  summary of list  commands, send mail to
[log in to unmask]  saying  HELP .
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