HPSCHD-L Archives

Harpsichords and Related Topics

HPSCHD-L@LIST.UIOWA.EDU
Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
Re: New publication - Lindley, Sachs, Restle on Beethoven Op.34 and key characters
From:
turpin d'isigny-ffytche <[log in to unmask]>
Reply To:
Harpsichords and Related Topics <[log in to unmask]>
Date:
Mon, 7 May 2007 17:46:06 +0200
Content-Type:
text/plain
Parts/Attachments:
text/plain (13 lines) 
Am 7. Mai 2007 um 5:17pm schrieb Brad Lehman:

> Look at THIS shape, or look at the null shape (equal temperament) over 
> there, to make your decision about equal vs unequal.  Definitely don't 
> look at THOSE OTHER shapes....  Don't consort with those others from 
> the wrong side of the train tracks!  Don't even point at them.

And what does Mark Lindley say when you say this to him Brad?

I would have thought that Lindley having an algebraic (if that is the 
appropriate word) sense of temperament  would have ruled out the 
possibility of bias (?)

ATOM RSS1 RSS2