Subject: | |
From: | |
Reply To: | |
Date: | Thu, 31 Mar 2016 15:26:31 +0200 |
Content-Type: | text/plain |
Parts/Attachments: |
|
|
Some years back I analysed the Lorenz Hauslaib 1590 Claviorgan's organ
stop with regard to pitch and tuning using a 'sample set' captured, I
believe, by Barcelona university. Turns out the instrument is at
cammerton pitch (c' = 246.7 Hz, a' = 411.8 Hz) and, when obviously
mistuned pipes are ignored, the 12 arithmetic means of the pitches
across its four octaves are well within one cent of theoretical
2/7-comma meantone.
The museum’s blurb states:
'Made at the organ workshop of Lorenz Hauslaib in Nuremberg, this
claviorgan is a magnificent example of a Renaissance musical instrument
which has reached our days without alterations of its original timbre,
arrangement and tuning.'
If the claim regarding tuning is accepted at face value, then the
instrument presumably fell into disuse and remained untouched until its
restoration in 2013. In such a case, the preserved temperament is of
interest in that the major thirds are slightly narrow, presumably to
improve minor tonalities relative to 1/4-comma meantone. Would that have
reflected common tuning practice in Nuremberg or perhaps a request of
Hauslaib's southern customer? Same question in relation to the preserved
cammerton pitch.
As I vaguely recall, Hauslaib wasn't primarily an instrument maker by
profession, so he might have had help with the musical mechanics
Regards
Charles
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Note: opinions expressed on HPSCHD-L are those of the individual con-
tributors and not necessarily those of the list owners nor of the Uni-
versity of Iowa. For a brief summary of list commands, send mail to
[log in to unmask] saying HELP .
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|
|