I thought we had all become more aware recently of the fact that fake news exists... Wake up, everyone! Some critical thinking is much needed here.
I am at Philadelphia airport at the moment but when I get back to Paris I will explain—once again—why there are good reasons to think this whole thing is a hoax.
Best wishes
DM
Sent from my iPhone
> On 25 Nov 2017, at 11:10, Hunsley, James <[log in to unmask]> wrote:
>
> The notes/arguments in the Martinoli album are quite extensive. He says the source of the attributed pieces are from the Forstieri-Steiner manuscript, of two parts. The first part, contributing the bulk of the works, is a Livre de Suittes composted by M. Charman(t) and arranged by Renard of Paris, 1754. The second part is a collection of airs by various authors collected by the same Renard and containing one more attributed to Marchand and one possibly by Marchand.
>
>
> In the references, there is none for the manuscript. According to Martinoli the MS was discovered in 2003 in a private collection and had been inherited in 1976 from the dissolved Forestieri-Steiner fund. This should provide a small lead.
>
>
> Jim Hunsley
>
> ________________________________
> From: Harpsichords and Related Topics <[log in to unmask]> on behalf of James McCarty <[log in to unmask]>
> Sent: Saturday, November 25, 2017 7:22:36 AM
> To: [log in to unmask]
> Subject: Re: Charman(d)
>
> I am an amateur and have no claim to understanding all this, but if I were researching it, I would ask Davitt Moroney what he thinks about it. Davitt’s comments are always well-informed, carefully reasoned, and beautifully written.
> —
>
> James R. (Jay) McCarty, MD
> Fort Worth, TX
>
> “Sine arte, scientia nihil est"
>
>
>
>
>> On Nov 25, 2017, at 3:31 AM, Domenico Statuto <[log in to unmask]> wrote:
>>
>>
>> What about asking Mario Martinoli himself? I haven’t his email address but he is on Facebook: https://m.facebook.com/mario.martinoli.9
>
>
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