HPSCHD-L Archives

Harpsichords and Related Topics

HPSCHD-L@LIST.UIOWA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Mento Frank <[log in to unmask]>
Reply To:
Mento Frank <[log in to unmask]>
Date:
Wed, 10 May 2017 09:30:56 +0200
Content-Type:
text/plain
Parts/Attachments:
text/plain (56 lines)
Dear Mr. Moen. Volume 2 would be fine to start with, considering that based on what you said, you have acquired a basic knowledge of the keyboard, and have acquired basic hand coordination. Basso continuo starts at the end of Volume 2, and this approach dips down directly with practical application without getting bogged down with all the rules. Best regards. Frank Mento 

Envoyé depuis l'application Mail Orange 

----------------
Le 10/05/2017, à 01:17, "Selmer Moen" <[log in to unmask]> a écrit :

Dear Professor Mento,
    I read the description of your materials at the website mentioned in
this post. I am interested in the possibility of using them to develop​ my
capabilities and need to ask your advice about where to begin. I am an
organist whose primary interests are music from before 1750 and from after
1950. My training and skills are limited. I have a good instrument.
As your first volume consists of topics with which I'm familiar, would
Volume 2 be an appropriate starting point? What little I know about
continuo is largely confined to its theoretical underpinnings.

Thank you in advance.

Best regards,

Selmer Moen

On May 9, 2017 8:10 AM, "Frank Mento" <[log in to unmask]> wrote:

> Volume 10 (10th year of instrumental study) of the Online Harpsichord
> Method is now available. In this volume which crowns this method, we
> discuss the English Virginalists, Sweelinck and the North German School,
> the Early Italian Baroque, French Classicism, and Figured Notation in Basso
> Continuo. We play major works by Byrd, Sweelinck, Scheidt, Frescobaldi,
> J.S. Bach, as well as a complete « ordre » by François Couperin and a
> complete suite by Rameau. You can take a look at the previews here :
> http://harpsichord-method.com
>
> ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
> Note:  opinions  expressed on HPSCHD-L are those of the  individual con-
> tributors and not necessarily  those of the list owners  nor of the Uni-
> versity of Iowa.  For a brief  summary of list  commands, send mail to
> [log in to unmask]  saying  HELP .
> ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Note:  opinions  expressed on HPSCHD-L are those of the  individual con-
tributors and not necessarily  those of the list owners  nor of the Uni-
versity of Iowa.  For a brief  summary of list  commands, send mail to
[log in to unmask]  saying  HELP .
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Note:  opinions  expressed on HPSCHD-L are those of the  individual con-
tributors and not necessarily  those of the list owners  nor of the Uni-
versity of Iowa.  For a brief  summary of list  commands, send mail to
[log in to unmask]  saying  HELP .
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

ATOM RSS1 RSS2