Maybe we can afford to read the name of the harpsichord player Claudio is speaking of.
Claudio's remarks have been expressed in a polite form, nothing personal, just an opinion about an execution, so I don't think the name of the harpsichord player should remain undisclosed.

Moreover, everybody could go to listen and get his own idea.

Dom.



Il giorno 09/gen/2016, alle ore 13:54, J. Claudio Di Veroli <[log in to unmask]> ha scritto:

>> Michael Brazile wrote: ... Claudio's issue with this unnamed player's
> disuse of  inégale ... just as Claudio finds it pitiable that a player would
> not use  inégale in a place that a composer said it "should" be used ...
> 
> Excuse me, Michael. Please quote me right. 
> I was NOT fussy. 
> I did NOT state that this player misused inégales or that did not use them
> where the composer said it should be used.
> What I wrote is that, in a webpage where the player shows supposed
> international-class prowess in French Baroque music, playing 6 pieces by
> F. Couperin and Rameau (where there are MANY inégales but by no means all
> runs of quavers and semiquavers should be inégales and by no means should
> them be played mechanically), there was NOT A SINGLE NOTE INEGALE. 
> 
> As for your "transcendent", your aesthetic seems to be far departed from
> Baroque as possible. Feel free to play that way but, again, you will find it
> more satisfying doing it using the modern piano!
> 
> Best
> CDV
> 
> 
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